ErotBERROCAL
The invisible nude
DOI:
https://doi.org/10.24310/Umatica.2019.v1i2.10228Keywords:
Berrocal, Erotic, Multiple, bondage, dominationAbstract
This photographic essay is about proposing, through the sculptures of Berrocal, a series of analogies in photographic format. The set reveals and explores an erotic dimension of the universe of Berrocal connecting the works with practices used in bondage and domination.
When we review the basic bibliography of Berrocal, we discover that most studies and analysis about his work are partly, trapped in the great trick of the artist, i.e. the excellent (obscene) capacity of hiding erotic secrets right before our eyes.
The proposal introduces us into one of the infinite paths into the work of the artist, avoiding the mathematical and scientific illusions of the great magician that Berrocal is.
Credits [Photographer: Emilio Schargorodsky // Curator: David López // Models: Lucía G. Lara, Nelliel, Domina Ghalia, Necar, CPH, Gretchen y Tier // Director of Photography: Quique Mañas // Colour editing and digital post-production: Patricia Flores // Assistant Director and photographer making of: Belén Landa // Maquillaje: Estefanía Villalba]
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Berrocal, M., Gállego, J., & Pasoni, F. (1984). Antológica Berrocal (1955-1984): Palacio de Velázquez, Parque del Retiro, Madrid, octubre-diciembre 1984.Madrid: Dirección General de Bellas Artes y Archivos.
Berrocal, M., & Institut Valencià d’Art Modern (2002). Berrocal. Valencia: IVAM Institut Valencià d’Art Modern.
Berrocal, M., & Marchiori, G. (1973). La sculpture de Berrocal. Bruxelles: La Connaissance
Buñuel, Luis (1982). Mi último suspiro. [Trad. español: Ana María de la Fuente. Mon dernier soupir. París. Éditions Robert Laffont] Barcelona: Random House Mondadori.
Jarry, A. (2004). Gestas y opiniones del Doctor Faustroll, Patafísico [Trad. español: Víctor Goldstein. Gestes et opinions du Docteur Faustroll Payaphysicien. Paris. 1911] Buenos Aires, Argentina: Atuel.
Sartre, J.P. (1943). L’Etre et le Néant. Paris.
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