Traducir a Shakespeare. La palabra del actor
DOI:
https://doi.org/10.24310/TRANS.2009.v0i13.3154Keywords:
actor, partitura teatral, William Shakespeare, oralidad, traducción teatral.Abstract
La riqueza de Shakespeare como dramaturgo clásico ha originado, a lo largo de los siglos, innumerables traducciones que han abordado su obra dramática desde perspectivas muy diversas y han hecho hincapié en distintos valores. Como traductores de Shakespeare, nuestro objetivo es subrayar un valor del texto de sumo interés para la traducción: el texto está concebido como una «partitura teatral» (Montalt, 1996) que contiene todas las marcas o apoyos orales y gestuales necesarios para que los actores puedan dar vida a los personajes sobre el escenario. El actor meta requiere un texto meta que le proporcione esas marcas o apoyos en el mismo grado de eficacia en que el texto inglés lo hace para el actor en inglés.
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