Araña, otra lógica. La escritura como urdimbre en Chantal Maillard
DOI:
https://doi.org/10.24310/Contrastescontrastes.v18i2.1129Abstract
RESUMEN
La estructura desdoblada que adopta habitualmente la escritura de Chantal Maillard tiene un sentido intenso en el poemario Hilos. Este libro, que en parte surge como segregación del diario Husos, despliega una lógica estética contraria a toda interpretación metafísica. Para ello, los poemas crecen como ecos unos de otros y como reflejos de fragmentos de otros libros de la autora. En Hilos, la escritura teje una malla o red cuyos vórtices dibujan el mapa de un Texto en que obras de otras manifestaciones artísticas (Gego), filosóficas (Derrida) o mitológicas (K?l?) vienen a explicar su urdimbre.
PALABRAS CLAVE
CHANTAL MAILLARD, ESTÉTICA, GEGO, DERRIDA, K?L?
ABSTRACT
The split structure in which Chantal Maillard’s writing are regularly framed, has an intense sense in the poems in Hilos. This book, which comes as a segregation of the diary Husos, displays an aesthetic logic opposed to metaphysics. The poems are written as echoes and as reflections of other fragments of other Maillard’s books. In Hilos, the writing is a mesh or a network whose vortices draw the map of a Text explained by other artistic works (Gego), philosophical works (Derrida) or mythological expressions (K?l?).
KEY WORDS
CHANTAL MAILLARD, AESTHETICS, GEGO, DERRIDA, K?L?
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