Fisiología de la ilusión y la décadence: el problema del actor y del teatro en Nietzsche Y Wagner
DOI:
https://doi.org/10.24310/EstudiosNIETen.vi7.10268Keywords:
actor, theater, decadenceAbstract
The main point of discord in the aesthetics of Nietzsche and Wagner is the comedian’s problem and the role of theatre in society and in the arts. Nietzsche’s entire criticism of the Wagnerian aesthetic ideal can be synthesized in the accusation of «theatrocracy», with all its psychological, sociological and even political implications. But this opposition can be traced further back to Nietzsche’s Schopenhauerian and Wagnerian
period, where, in spite of his admiration of Wagner, Nietzsche conceives of and gives the actor a different role to that given by Wagner, in the arts and, in particular, in music. The later Nietzsche, with his concept of the Dionysian State, simply radicalizes this initial divergence.
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