Continuity in Nietzsche’s works in light of his self-view
DOI:
https://doi.org/10.24310/EstudiosNIETen.vi20.10062Keywords:
continuity, periodization, Wagnerian phase, Ecce Homo, self-presentationAbstract
The article aims to critically analyze the conventional tripartite division within Nietzsche’s philosophy that is expressed hyperbolically in the form of personification: the young Nietzsche of the Wagnerian phase, the “positivist” or “enlightened” Nietzsche, and the mature Nietzsche. I aim to contribute to the plea for continuity, paying special attention to a variety of texts in which he acknowledges the continuity of his intellectual development as a coherent unit. This significant retrospection does not indicate rupture or rejection, but recognition. The last section is dedicated to the peculiar book that is Ecce Homo, understood as a self-presentation strategy.
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