Do nothing(ness) Around «Un homme qui dort»of Georges Perec
DOI:
https://doi.org/10.24310/Contrastescontrastes.v21i3.2561Keywords:
Passivity, Daily Life, Estrangement, Apathy-FlâneurAbstract
In this article, both the novel and the film Un homme qui dort by Georges Perec are approached. The philosophical and literary connections traced by the narrative are established, as the relation with the concept of everyday life as handled by the Situationists or Henri Lefebvre, as well as the search for a novel without a characteristic theme, a usual feature in Modernity and the concept of Russian formalism of estrangement as a procedure to transcend and overcome the instrumentalized experience of reality.Downloads
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