Proposal for a Theatrical Philosophy with Scientific Purposes
Aristotle's Scientific Discussion Dialogue
DOI:
https://doi.org/10.24310/contrastes.30.1.2025.17435Keywords:
Theatre, research dialogue, philosophical literary genres, rethoricAbstract
The aim of this paper is to analyse Aristotle's dialogue Protrepticus, underlining the continuity and indicating the differences with Plato's dialogues. The starting point of the reflection is the observation that this type of works in both authors were plays, even if their intention was not to stage them. The analysis of theatre in the Poetics, the constitutive theatricality of the resources used in the discourse of the rhetoricians and sophists, as they are studied in the Rhetoric, and the importance of the integration of previous knowledge in the same reflection through the concept of endoxa show that the theatrical permeates Aristotle's thought in a broader sense than just the use of the dialogical form.
Downloads
Metrics
Publication Facts
Reviewer profiles N/A
Author statements
Indexed in
-
—
- Editor & editorial board
- profiles
- Academic society
- N/A
- Publisher
- Universidad de Málaga
To learn about these publication facts, click 
PF is maintained by the Public Knowledge Project
References
ARISTÓTELES, Ética Nicomáquea-Ética Eudemia (1999). Introducción, traducción y notas por Quintín Racionero. Madrid: Gredos
ARISTÓTELES, Poética (1974). Edición trilingüe de Valentín García Yebra. Madrid: Gredos.
ARISTÓTELES, Política (1988). Introducción, traducción y notas por Manuela García Valdés. Madrid: Gredos.
ARISTÓTELES, Protrepticus or Exhortation to Philosophy (2017), citas, fragmentos paráfrasis y otras evidencias de Hutchinson, D. S. y Johnson, Monte Ransome.
ARISTÓTELES, Retórica (1985). Introducción de Emilio Lledó, traducción y notas por Julio Pallí. Madrid: Gredos. (Las notas correspondientes a la Introducción de Emilio Lledó se citarán como Retórica 1985 y la página de la Introducción).
ARISTÓTELES, Tratados lógicos (Órganon) (1982). Introducción, traducción y notas de Miguel Candel Sanmartín. Madrid: Gredos.
BODEÜS, RICHARD. Le philosophe et la Cité (1983). Liège, Presses universitaires de Liège
DE BRAVO, CRISTIÁN (2019). “Sócrates como principiante. La piedad del preguntar en el Eutifrón de Platón”. Hybris. Revista de Filosofía, Vol.10, Nº 1, pp. 169-195.
JAEGER, WERNER (1946). Aristóteles, bases para la historia de su desarrollo intelectual. Méjico: Fondo de Cultura Económica. Versión de José Gaos.
KLONOSKI, RICHARD. J. (1986). “The Portico of the Archon Basileus: The Significance of the Setting of Plato’s Euthyphro”. Classical Journal, 81, pp. 130‐137.
PLATÓN, Eutrifón (2010). Traducción de Bigio, Brian. Estudios de Filosofía, vol. 8 (2010), pp. 129-156.
RAMÓN CÁMARA, BEGOÑA (2019). “Lenguaje y Política en Platón”. Π Η Γ Η / F O N S 4, pp. 91-106.
RIBAS, MARIE-NOËLLE (2020). “Isócrates libre de la sombra de Platón”. Araucaria, Revista Iberoamericana de Filosofía, Política y Humanidades, vol. 22, núm. 44, pp. 325-345. (Consultado en www.redalyc.org/journal/282/28268069015html/18/02/2022,17:37, pp. 1-4).
SHIELDS, CRISTOPHER. “Aristotle”, Stanford Enciclopedy of Philosophy, Fall 2020 Edition.
TREVETT, J. C. (1996). “Aristotle´s Knowledge of Athenian Oratory”. The Classical Quarterly, 1996, Vol. 46, No. 2, pp. 371-379.
USERO-VÍLCHEZ, ANTONIO. “El Eutifrón y el Eutidemo son filosofía teatral”. No publicado.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Contrastes. Revista Internacional de Filosofía
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
This journal provides immediate free access to its content under the principle of making research freely available to the public. All content published in Contrastes. Revista Internacional de Filosofía, are subject to the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 license whose full text can be found at <http://creativecommons.org/licenses/by-nc-sa/4.0>
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.
Authors whose contributions are accepted for publication in this journal will retain the non-exclusive right to use their contributions for academic, research and educational purposes, including self-archiving or repository in open access repositories of any kind.
The electronic edition of this magazine is edited by the Editorial Service of the University of Malaga (Uma Editorial), being necessary to cite the origin in any partial or total reproduction.
5.png)
