True crime and Criminology: An introduction

Authors

  • Vicente Garrido Genovés Universidad de Valencia Spain

DOI:

https://doi.org/10.24310/bc.30.2024.20681

Keywords:

True crime, criminology, literature and audiovisual narrative, teaching of criminology

Abstract

The genre of true crime has known a great development in the past ten years, although its origin can be traced to the XVI century. We present in this paper an introductory analysis about the relationship between this narrative genre and criminology. We stress two points. Firstly, that true crime, as cultural products, are tools to create criminological knowledge in the meanings developed by McGregor: phenomenological, counterfactual and mimetic-descriptive. Secondly, that given the plasticity and variety of themes considered, this genre has an important role as a teaching tool in our discipline. We offer also a classification of the different types in
which true crime can be presented, in the literature as well as audiovisual narrative.

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

References

ASMA, S. T. (2014): “Monsters on the brain: An evolutionary epistemology of horror”, en Social Research, 81 (4), 941-968.

BOORSMA, M. (2017): “Whole Truth: The Implications of America’s True Crime Obsession”, en Elon Law Review, 9, 209-224.

BRADY, I. (2015): The gates of Janus: Serial killing and its analysis by the Moors Murderer Ian Brady. Feral House.

BROWDER, L. (2006): “Dystopian romance: True crime and the female reader”, en The Journal of Popular Culture, 39 (6), 928-953.

BRUZZI, S. (2016): “Making a genre: The case of the contemporary true crime documentary”, en Law and Humanities, 10 (2), 249-280.

BUNKER, E. (2003): La educación de un ladrón. Alba Editorial.

CAPOTE, T. (1987): A sangre fría. Anagrama.

CARRÈRE, E. (2000): El adversario. Anagrama.

CHANAN, M. (2007): “El documental y el espacio público”, en Archivos de la Filmoteca, (57/58), 67-99.

DOSTOIEVSKI, F. (2015): Crimen y castigo. Penguin.

FERNANDEZ, L. E. (2022): “Defending the less dead: Using the decriminalization of sex work to combat the high incidence of serial homicide of street-based sex workers”, en William & Mary Journal of Race, Gender, and Social Justice, 29 (1), 205-228.

FIORINI, D. (2023): “Diseño audiovisual, representación e interpretación en el género documental”, en Cuadernos del Centro de Estudios de Diseño y Comunicación, (205), 141-151.

FOUCAULT, M. (2001): Yo, Pierre Rivière, habiendo degollado a mi madre, a mi hermana y a mi hermano... Tusquets.

FRANSCELL, R. (2017): Shadow Man. An elusive psycho killer and the birth of FBI Profiling. Berkley.

GARBUS, L. (2020): Chicas perdidas. Archer Gray & Langley Park Productions. Estados Unidos.

GARBUS, L. et al. (2020). Proyecto Inocencia. Nextlix.

GARRIDO, V. (2020): Nuevos perfiles criminales. Ariel.

GARRIDO, V. (2021): True crime: La fascinación del mal. Ariel.

GARRIDO, V., y LATORRE, V. (2023): El monstruo y el asesino en serie. Ariel.

GASTÓN-LORENTE, L., y GÓMEZ-BACEIREDO, B. (2022): “El riesgo de la desinformación en la ficción basada en hechos reales: The Thing About Pam (o la cosa de justificar al criminal)”, en Estudios sobre el Mensaje Periodistico, 28 (4), 817-826.

GRANT, S. (2019): Creedme. Netflix.

HUGHES, B. (2023): “Murderinos: Examining the Female Audience of True Crime Podcasts with My Favorite Murder”, en Digital Literature Review, 10 (1), 121-132.

JERECKI, A. (2003): Capturing the friedmans. HBO.

JIMÉNEZ, M. (12 de octubre de 2022). “La fiscalía retira los cargos contra Adnan Syed, el protagonista de ‘Serial’”, en El País. Disponible en: https://elpais.com/internacional/2022-10-12/la-fiscalia-retira-los-cargos-contra-adnan-syed-elprotagonista-de-serial.html?event_log=oklogin [consultado el 26-3-2024].

KAPLAN, P., y LACHANCE, D. (2017). “Crimesploitation”. En BROWN, M., Y CARRABINE, E. (eds.): Routledge International Handbook of Visual

Criminology. Routledge.

LAUREN, J. (24 de diciembre de 2018): “The Serial Killer and the ‘Less Dead’ The only reporter who’s talked to Samuel Little tells how he was caught — and why he almost got away”, en The New York Magazine. Disponible en: https://www.thecut.com/2018/12/how-serial-killer-samuel-little-was-caught.html

LAUREN, J. (2023): Behold the monster: Confronting America’s most prolific serial killer. Little & Brown.

McNAMARA, M. (2018): El asesino sin rostro. RBA Ediciones.

MAILER, N. (1987): La canción del verdugo. Anagrama.

McGREGOR, R. (2021): A criminology of narrative fiction. Policy Press.

MNOOKIN, J. (2005): “Reproducing a trial: Evidence and its assessment in Paradise Lost”, en SARAT, A., DOUGLAS, L., y UMPHREY, M. M. (Eds.): Law on the Screen. Stanford University Press.

MONROE, R. (2020): Savage appetites: True stories of women, crime, and obsession. Scribne.

MORRIS, E. (1989): The thin blue line, [serie documental]. Miramar y Netflix.

MURLEY, J. (2008): The rise of true crime: 20th-century murder and American popular culture. Bloomsbury Publishing USA.

NANAU, A. (2019): Collective, [film documental], HBO.

PÉREZ GALDÓS, B. (2024): El crimen de la calle de Fuencarral. Siruela.

QUINET, K. (2011): “Prostitutes as victims of serial homicide: Trends and case characteristics, 1970-2009”, en Homicide Studies, 15 (1), 74-100.

REDONDO, S., y GARRIDO, V. (2023): Principios de Criminología. La quinta edición. Tirant Lo Blanch.

RAFTER, N. (2007): “Crime, film and criminology: Recent sex-crime movies”, en Theoretical criminology, 11 (3), 403-420.

RAFTER, N.H., y BROWN, M (2011): Criminology goes to the movies: Crime theory and popular culture. NYU Press.

RICKARD, D. (2023): “Truth or doubt: questioning legal outcomes in true-crime documentaries”, en Law and Humanities, 17 (1), 60-89.

ROMERO-DOMÍNGUEZ, L. R. (2020): “Narrativas del crimen en los documentales de no ficción: éxito del true crime en las plataformas VOD”, en Revista Panamericana de Comunicación, 2 (2), 11-20.

ROWE, C. (2017): The Spider and the Fly. Dey ST.

SELTZER, M. (1997): “Wound culture: Trauma in the pathological public sphere”, en October, 80, 3-26.

SELTZER, M. (2008): “Murder/media/modernity”, en Canadian Review of American Studies, 38 (1), 11-41.

STEENBERG, L. (29-3-2017): Crime and celebrity, en YAR, M. (ed.): Oxford Research Encyclopedia of Criminology and Criminal Justice. Disponible en: https://oxfordre.com/criminology/criminology/view/10.1093/acrefore/9780190264079.001.0001/acrefore-9780190264079-e-26.

STONEMAN, E., y PACKER, J. (2021): “Reel cruelty: Voyeurism and extrajuridical punishment in true-crime documentaries”, en Crime, media, culture, 17 (3), 401-419.

SYED, N. (2023): “Fear to Love: Fear Could Explain Women’s Attraction toward Male Serial Killers”, en Research Archive of Rising Scholars https://doi.org/10.58445/rars.109

VILE, J., y WOOD, E. (2020): El Destripador de Yorkshire. Netflix.

WIKIPEDIA (2024). Crimesploitation. Disponible en: https://es.wikipedia.org/wiki/Cine_de_explotaci%C3%B3n [consultado el 26 de marzo de 2024].

WIKIPEDIA (2024). Paradise Lost: The Child Murders at Robin Hood Hills. Disponible en: https://es.wikipedia.org/wiki/Paradise_Lost:_The_Child_Murders_at_Robin_Hood_Hills [consultado el 5-4-2024]

WRIGHT, H. (2020): “Ethics and true crime: Setting a standard for the genre”, en Book Publishing Final Research Paper, (51). Disponible en: https://pdxscholar.library.pdx.edu/eng_bookpubpaper/51

YARDLEY, E., KELLY, E., & ROBINSON-EDWARDS, S. (2019): “Forever trapped in the imaginary of late capitalism? The serialized true crime podcast as a wake-up call in times of criminological slumber”, en Crime, Media, Culture, 15 (3), 503-521.

Additional Files

Published

2024-10-15

How to Cite

Garrido Genovés, V. (2024). True crime and Criminology: An introduction. Boletín Criminológico, (30). https://doi.org/10.24310/bc.30.2024.20681