Del mito a la escena. Una Fábula de Dafne de ?nales del siglo XVI en las descalzas reales
DOI:
https://doi.org/10.24310/analecta.v39i1.5624Abstract
RESUMEN: La anónima Fábula de Dafne, representada entre 1585 y 1593 en el Monasterio de las Descalzas Reales, supone el primer acercamiento teatral en España al mito de Apolo y Dafne. Este trabajo comenta aspectos relevantes de una pieza representada en un entorno conventual, que pone las bases de un teatro híbrido entre lo mitológico y lo pastoril, continuado por el mismo Lope de Vega pocos años más tarde. Se aborda el tratamiento del mito, la signi?cación política de la pieza y ciertos aspectos relacionados con la puesta en escena de esta original comedia.
ABSTRACT: The anonymous Fábula de Dafne, staged between 1585 and 1593 at the Monasterio de las Descalzas Reales, is the ? rst theatrical approach in Spain to the myth of Apollo and Daphne. This paper comments on relevant aspects of a piece staged at a convent that sets the basis for a hybrid drama, between the mythological and the pastoral, continued by Lope de Vega himself a few years later. The treatment of the myth, the political meaning of the piece, and some aspects related to the staging of this original comedy are also analyzed.
Downloads
Metrics
Downloads
Published
How to Cite
Issue
Section
License
In the Analecta Malacitana Journal we are clearly committed to a policy of open access to scientific knowledge (See the Berlin Declaration).
Those authors who have publications with this journal accept the following terms:
This journal provides immediate free access to its content on the principle of making research freely available to the public. All content published on Margins is subject to the Creative Commons Attribution-No Derivatives 4.0 International license.
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.
Authors whose contributions are accepted for publication in this journal will retain the non-exclusive right to use their contributions for academic, research, and educational purposes, including self-archiving or deposit in open access repositories of any kind.
The electronic edition of this magazine is edited by the Editorial of the University of Malaga (UmaEditorial), being necessary to cite the source in any partial or total reproduction.
The authors may adopt other non-exclusive license agreements for the distribution of the version of the published work (for example: deposit it in an institutional telematic archive or publish it in a monographic volume) provided that the initial publication in this magazine.
Authors are allowed and recommended to disseminate their work through the Internet (for example: in institutional telematic archives or on their web page) before and during the submission process, which can produce interesting exchanges and increase citations to the published work. (See The effect of open access.)
25.png)
