DEATH AND NAKEDNESS IN THE EXPERIENCE OF VOCATION
DOI:
https://doi.org/10.24310/Raphisa.2019.v0i5.5430Keywords:
VOCATION, PHILOSOPHY, AESTHETICS, DEATH, NAKEDNESS, CASORATIAbstract
This short essay is supposed to complement the argumentation of my book, Bevezetés a hivatásfilozófiájába [Introduction to the philosophy of vocation], concerning an essential aspect for it analyses the experience of the vocation from the point of view of its peculiar aesthetics. By interpreting Felice Casorati’s painting entitled Vocation I focus on five aspects. First, concerning the nakedness, I illuminate the relation between saint and profane. In the second part, I try to grasp the subject of the recipient of vocation, i.e. one of the protagonists of this dramatic encounter. The third point is dedicated to the question of the meaning-context of vocation. I argue that it is essentially characterized by hope. The fourth chapter describes the specific time-experience of vocation. As a fifth step once again I ask the main question here: who calls in the vocation? The last point summarizes those five essential aspects that could help us to live and to manifest the vocation as the fullest meaning of our existence.
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