The Elimination of Logical Sense in Art. De Chirico Reads Nietzsche
DOI:
https://doi.org/10.24310/EstudiosNIETen.vi14.10744Keywords:
Nietzsche, De Chirico, philosophy, paintingAbstract
The affinity between Nietzsche’s and De Chirico’s sensibility has been much commentary on by specialists in the work of the latter. The aim of this article is not to draw up an inventory of the remarks made in this sense, but to try to clarify the problem that, as it seems to us, all of them leave unsolved: why De Chririco, usually considered to be a pioneer of the Avant-Garde art movements, turned in the middle of the twenties of
last century against any form of modernity in art.
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De Chirico, G., Sobre el arte metafísico y otros escritos, Colegio oficial de aparejadores y arquitectos técnicos, Murcia, 1990.
De Chirico, Giorgio, Memoria de mi vida, trad. S. Calvo, Madrid: Síntesis, 2004.
Deleuze, G., Nietzsche y la filosofía, trad. C. Artal, Anagrama, Barcelona, 1971. Nietzsche, F., Obras Completas, I-IV (OC ). Director ed. Diego Sánchez Meca. Madrid: Tecnos, 2011-2016.
Nietzsche, F., Correspondencia I-VI. (CO). Director ed. Luis E. de Santiago Guervós. Madrid : Trotta, 2005- 2012.
Nietzsche, F., Fragmentos Póstumos I-IV (FP). Director ed. Diego Sánchez Meca. Madrid: Tecnos, 2006-2010.
Volpi, F., El nihilismo, trad. C. I. Rosso y A. G. Vigo, Siruela, Madrid, 2007.
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