Pluritematism, Hybridism, Syncretism and Fragmentarity in ¡Todos o ninguno! World’s Game, by Juan Ceyles Domínguez
DOI:
https://doi.org/10.24310/analecta44202318245Keywords:
plurithematism, hybridism, syncretism, fragmentarity, game, CeylesAbstract
The present paper intends to carry out a complete exegetical analysis of the romance ¡Todos o ninguno! World’s Game. Una metafísica del juego, by Juan Ceyles Domínguez, which has been published in 2022 by the publishing house El Toro Celeste within its collection «Uróboros». That analysis is structured, as the title itself announces, methodologically in four blocks: «Plurithematism», which is built, mainly, from three axes: science, science fiction and utopian scientific projects; «Hibridism», which is produced in the multiplicity of discourses that Ceyles’s narrative allows and favors; «The syncretism of the narrative voice», which is intended to be categorized according to the various forms it takes; and «The fragmentary structure», an explanatory key to this and other works by the author. With all this, it contributes to the study of the universe of the work of Juan Ceyles Domínguez and the unprecedented collection «Uróboros».
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CEYLES DOMÍNGUEZ, J. (2022): ¡Todos o ninguno! World’s Game. Una metafísica del juego, «Uróboros», El Toro Celeste, Málaga.
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