Ruben Dario and the ‘landscapes of culture’

Authors

  • Antonio Jiménez Millán Universidad de Málaga Spain

Keywords:

Dario, Modernism, painting, ekphrasis, synesthesia

Abstract

This piece of work focuses a specific aspect of Ruben Dario’s production: the attention the Nicaraguan poet pays to the plastic arts, since his stay in Santiago de Chile. A supporter as he was of the concept of the unity of the arts, Ruben Dario transferred to narrative prose, poetry and chronicles a series of images that help him to build his “landscapes of culture” (so defined by Pedro Salinas), essential in the Literary scope of Hispanic modernism.

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Author Biography

Antonio Jiménez Millán, Universidad de Málaga

Nació en Granada en 1954. Es catedrático de Literaturas Románicas en la Universidad de Málaga. Ha escrito varios libros de poemas, ensayos y ediciones críticas. Sus principales líneas de investigación se centran en la literatura europea de las vanguardias históricas, en los autores de la Generación del 27 y en la poesía española de posguerra.

 

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Published

2018-12-01

How to Cite

Jiménez Millán, A. (2018). Ruben Dario and the ‘landscapes of culture’. TSN. Transatlantic Studies Network, (6), 57–64. Retrieved from https://revistas.uma.es/index.php/transatlantic-studies-network/article/view/19453

Issue

No. 6 (2018): Escritores y pintores: Europa y América (Monográfico)

Section

Monograph

License

Copyright (c) 2024 TSN. Transatlantic Studies Network

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.