María Zambrano's Feminism in Caribbean Exile
DOI:
https://doi.org/10.24310/TSN.2022.v7i13.16364Keywords:
Exile, Caribbean, Cuba, Puerto Rico, Heloise, Antigone, Delirium and Destiny, Gustavo PittalugaAbstract
María Zambrano's long exile included several sojourns in the Caribbean, both in Cuba and Puerto Rico, between 1940 and 1953. Significantly, the bulk of her feminist writing was done in these locations, perhaps due to her strained relationship with her husband and her collaboration with Gustavo Pittaluga on his treatise Grandeza y servidumbre de la mujer. This article examines Zambrano's feminist writing of the Caribbean period, especially her Antigone plays, Eloísa o la existencia de la mujer, and the autobiographical novel Delirium and Destiny, which, in addition, are some of her most literary works.
Downloads
Download data is not yet available.
Metrics
Metrics Loading ...
References
Caballero, Beatriz (2008): “La centralidad del concepto de delirio en el pensamiento de María Zambrano”, in Arizona Journal of Hispanic Cultural Studies 12, pp. 93-110.
Johnson, Roberta (2009): “La filosofía de María Zambrano y el pensamiento feminista europeo”, in Antígona. Revista de la Fundación María Zambrano 3, pp. 196-206.
Johnson, Roberta (1997): “María Zambrano as Antigone's sister: Towards an Ethical Aesthetics of Possibility”, in Anales de la literatura española contemporánea 22, pp.181-194.
Johnson, Roberta (2011): “Hablar con el cuerpo: María Zambrano y el feminismo de la diferencia español”, in María Zambrano: Palabras para el mundo. Madeline Cámara and Luis Pablo Ortega (eds.). Juan de la Cuesta Monograph, pp. 171-190.
Johnson, Roberta (2014): “What María Zambrano Discovered in the New World”, en María Zambrano: Between the Caribbean and the Mediterranean. Madeline Cámara and Luis Ortega (eds.). Juan de la Cuesta, Monograph.
Laurenzi, Elena (1995): “Prólogo”, in María Zambrano: Nacer por sí misma. Ed. Elena Laurenzi. Madrid: Horas y Horas, p. 65.
Ortega, Juan Fernando (ed.), 2007: María Zambrano. La aventura de ser mujer. Málaga: Veramar.
Steiner, George (1984): Antígones. Yale UP.
Zambrano, María (1993): El hombre y lo divino. Fondo de Cultura Económica.
Zambrano, María (1995): “Delirio de Antigone”, in María Zambrano: Nacer por sí misma. Ed. Elena Laurenzi. Madrid: Horas y Horas, pp. 66-76.
Zambrano, María (1999): Delirium and Destiny. A Spaniard in Her Twenties, tr. Carol Maier. Nueva York: SUNY P, pp. 237-248.
Johnson, Roberta (2009): “La filosofía de María Zambrano y el pensamiento feminista europeo”, in Antígona. Revista de la Fundación María Zambrano 3, pp. 196-206.
Johnson, Roberta (1997): “María Zambrano as Antigone's sister: Towards an Ethical Aesthetics of Possibility”, in Anales de la literatura española contemporánea 22, pp.181-194.
Johnson, Roberta (2011): “Hablar con el cuerpo: María Zambrano y el feminismo de la diferencia español”, in María Zambrano: Palabras para el mundo. Madeline Cámara and Luis Pablo Ortega (eds.). Juan de la Cuesta Monograph, pp. 171-190.
Johnson, Roberta (2014): “What María Zambrano Discovered in the New World”, en María Zambrano: Between the Caribbean and the Mediterranean. Madeline Cámara and Luis Ortega (eds.). Juan de la Cuesta, Monograph.
Laurenzi, Elena (1995): “Prólogo”, in María Zambrano: Nacer por sí misma. Ed. Elena Laurenzi. Madrid: Horas y Horas, p. 65.
Ortega, Juan Fernando (ed.), 2007: María Zambrano. La aventura de ser mujer. Málaga: Veramar.
Steiner, George (1984): Antígones. Yale UP.
Zambrano, María (1993): El hombre y lo divino. Fondo de Cultura Económica.
Zambrano, María (1995): “Delirio de Antigone”, in María Zambrano: Nacer por sí misma. Ed. Elena Laurenzi. Madrid: Horas y Horas, pp. 66-76.
Zambrano, María (1999): Delirium and Destiny. A Spaniard in Her Twenties, tr. Carol Maier. Nueva York: SUNY P, pp. 237-248.
Downloads
Published
2022-06-01
How to Cite
Johnson, R. (2022). María Zambrano’s Feminism in Caribbean Exile. TSN. Transatlantic Studies Network, 7(13), 96–101. https://doi.org/10.24310/TSN.2022.v7i13.16364
Issue
Section
Monograph
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
