The Challenging of Teaching the Value of Classics Today: The "Children at the University" Project. Paths toward the Future and Pedagogical Matters
Palabras clave:
Classical mythology, Teaching Classics to children, Creativity, Theory of Multiple Intelligence, Spontaneous imagination vs. modern fiction, lesson-plansResumen
Undoubtedly ours is a high tech- and pragmatically-oriented society where little space is reserved for learning and appropriating subject matters that privilege the spirit and prompt a deep understanding of human beings as individual and as a part of the whole
we call "human community". Literature and art, humanities, more in general, struggle to claim their space: there is not a profitable outcome in devoting one’s own time to them. For college students and adults it is enough to have a little grasp of humanities.
The beauty and joy of learning for one’s own enrichment and for the profit of the community are almost lost. Imagination —one of the most precious faculties that human beings have— is almost passively stimulated in the younger by letting them just play
on pre-built and pre-determined paths of computer games, or watch popular fiction series, such as «Hercules» (TV animated Series), "Harry Potter" and "Percy Jackson" series, embellished and, sometimes, trivialized by ‘special effects’. The present paper analyzes some pedagogical strategies, and related results, of an experimental, transformative project which has been conducted with children of Elementary School with the purpose both of re-directing them to the roots of our modern ‘games’ and ‘imagination’, and, of demonstrating the potentialities that a classicsbased education can offer in terms of teaching good values, wisdom, beauty, and so forth. Classical mythology, adapted to the children’s age, has been the ground of the entire project. Self-cultural awareness and creativity, lexicon improvement, reflective and comparative skills acquisition, joy of learning and of actively playing with the
learned subjects have been the most transformative effects of this project on the children.
Descargas
Métricas
Citas
Abel, L., Metatheatre. A New View of Dramatic Form, Hill Wang, New York, 1963.
Arrighetti, G., Esiodo. Opere, Einaudi-Gallimard, Torino, 1998.
Bettini, M., Nascere. Storie di donne, donnole, madri ed eroi, Einaudi Editore, Torino, 1998.
Bortins, L.A., The Core: Teaching Your Child the Foundations of Classical Education, Palgrave Macmillan, Basingstoke - UK, 2010.
Brazouski, A. and Klatt, M. J., Children’s Books on Ancient Greek and Roman Mythology. An Annotated Bibliography, Greenwood Press, Westport, Connecticut – London, 1994.
Brookes, M., Drawing with children, Tarcher, Los Angeles, 1996.
Brooks, M., «Drawing to Learn», Young Children: Beyond the Journal (http://www.journal.naeyc.org/btj/200309/), 2003.
Brooks, M., «Drawing, Visualisation and Young Children's Exploration of 'Big Ideas'», International Journal of Science Education, 31. 3 (2009)
-341.
Bryant, L. M., The Children’s Book of Celebrated Legends, The Century Company, New York, 1929.
Bulfinch, Th., The Age of Fable, Chrles E. Brown, Boston, 1855.
Burwell, S. L., «Greek Myth: A Lesson in Narrative Drawing», School Arts, 85. 1 (1985) 22-26.
Carretero, J. J. D., «El Latín y el Griego Clásico en las marcas comerciales: algunos ejemplos», Thamyris, N.S. 2 (2011) 15-21.
Cole, P. McArthur, A coloring Book of Ancient Greece: With Illustrations of the Artists of Those Times, Bellerophon Press, Santa Barbara, 1970.
Cluver, C., «On Intersemiotic Transposition», Poetics Today, 19 (1989) 55-90.
Csikszentmihalyi, M., Creativity, Basic Books, New York, 1996.
Cullinan, B., Karrer, M. K., and Pillar, A. M., Literature and the Child, Harcourt Brace Jovanovich, Inc., New York, 1981.
D’Aulaire, I. and D’Aulaire, E. P., Book of Greek Myths, Doubleday and Company, Garden City, 1962.
De Mille, A., Martha: The Life and Work of Martha Graham, New York, 1992.
Fein, S., First drawings: Genesis of visual thinking, Exelrod Press, Pleasant Hill, CA, 1993.
Gallardo, M. D., Manual de Mitología Clásica, Ediciones Clásicas Madrid, 1995.
Gardner, H., Frame of Mind: The Theory of Multiple Intelligence, Basic Books, New York, 1983.
Gardner, H., Multiple Intelligence: The Theory in Practice, Basic Books, New York, 1993.
Gardner, H., «Multiple Intelligence as a Catalyst», The English Journal, 84. 8 (1995) 16-18.
Gardner, H., Intelligence Reframed. Multiples Intelligence for the 21st. century, Basic Books, New York, 1999.
Graham, M., The Notebooks of Martha Graham, New York, 1973.
Graves, R., Myth of Ancient Greece, Cassell, London, 1962.
Grimal, P., Dictionnaire de la mythologie Grecque et Romaine, Presses Universitaires de France, Paris, 1979.
Henscheid, J., O’Rourke, M. & Williams, G., «Embedding the Humanities in Cross-Disciplinary General Education Courses», Journal of General
Education, 58. 4 (2009) 279-295.
Huck, C. S., Children’s Literature in the Elementary School, Holt, Rinehart and Winston, New York, 19793.
Kernan, A. (ed.), What’s happened to the humanities?, University Press Princeton, 1997.
Kezar, A., «Theory of Multiple Intelligence: Implications for Higher Education», Innovative Higher Education, 26. 2 (2001) 141-154.
Kincheloe, J. L. (ed.), Multiple Intelligence reconsidered, Peter Lang Publishing, Inc., New York, 2004.
Koenen, L., «Greece, the Near East, and Egypt: Cyclic Destruction in Hesiod and in the Catalogue of Women», TAPhA, 124 (1994) 1-34.
Kornhaber, M. L., «Howard Gardner», in J. A. Palmer (ed.), Fifty Modern Thinkers on Education: From Piaget to the Present, Routledge, London,
, pp. 272-279.
Mackendrick, P. & Howe, H. M., Classics in Translation, Wisconsin University Press, Madison, WI, 1952.
Martindale, Ch., «Introduction: Thinking Through Reception in Classics and the Uses of Reception», in C. Martindale and R. F. Thomas (eds.),
Classics and the Uses of Reception, Blackwell Publishing, Ma-USA/OxfordUK, 2006, pp. 1-12.
Mayerson, P., Classical Mythology in Literature, Art, and Music, Focus Classical Library, 2001.
Mignolo, W. D., «The role of the humanities in the corporate university», PMLA, 115. 5 (2000) 1238-1245.
Morford, M. P. O. and Lenardon, R. J., Classical Mythology, Oxford University Press, New York – Oxford, 20078.
Musacchio, J. M., «Weasels and pregnancy in Renaissance Italy», Renaissance Studies, 15.2 (2001) 172-187.
Nussbaum, M. C., Not for Profit: Why Democracy Needs the Humanities. Princeton University Press, Princeton, 2010.
O’Hara, J. J. & O’Hara, M. A., «Book Review: Percy Jackson & The Olympians», Amphora, 9. 1 (2010) 1-6.
Real, C., «El valor didáctico del mito: Posibilidades de análisis”, Fortunatae, 13 (2002) 255-268.
Rose, H., Handbook of Greek Mythology, Taylor & Francis, New York, 1959.
Russell, W. F., Classic Myths to Read Aloud, Three Rivers Press, New York, 1989.
Siegel, J. F., «Audio-Visual Material in Classics», Classical World, 105. 3 (2012) 354-432.
Smagorinsky, P., «Multiple Intelligence in the English Class: An overview», The English Journal, 84. 8 (1995) 19-26.
Smith, N. R., Observation Drawing With Children: A Framework for Teachers, Teachers College Press, New York, 1997.
Steele, S., «Curricula wars», Journal of General Education, 55. 3-4 (2006) 161-185.
Trzaskoma S.M., Smith, R. S. & Brunet, S., Anthology of Classical Myth. Primary Sources in Translation, Hackett Publishing Company, Inc., Indianapolis, 2004.
Troisi, F., «Metateatro: dalle origini a William Shakespeare», La Nuova Ricerca, 2. 2 (1993) 115-141.
Wilson, M., & Wilson, B., Teaching children to draw: a guide for teachers and parents, Prentice-Hall, Englewood Cliffs, NJ, 1982.
Zaidenberg, A., How to Draw Prehistoric and Mythical Animals. London, Abelard-Schuman Ltd., 1967.
Zorn, S., Bulfinch’s Mythology Coloring Book, Running Press, Philadelphia, 1989.