No. 2 (2020)

View No. 2 (2020)

July 2019 - May 2020

DOI: https://doi.org/10.24310/Trasvasestlc.vi2

Published: 2020-10-14

Full Issue

Monograph Introduction

Introduction to Time to Reborn: transhumanity and posthumanity from Literature to Cinema Coord. by V. Aranda Arribas

Victoria Aranda Arribas

5-8
- PDF (Spanish)
- HTML (Spanish)
Introduction to Nikos Kazantzakis: transpositions from paper to the big screen Coord. by M. Dávila Vargas-Machuca

Miguel Dávila Vargas-Machuca

119-121
- PDF (Spanish)
- HTML (Spanish)

Time to Reborn: transhumanity and posthumanty

The Frankenstein Myth in Film: Transmediation and Science Fiction (Blade Runner and 2049)

Pedro Javier Pardo García

9-42
- PDF (Spanish)
- HTML (Spanish)
Watch the Skies (and the Earth)! Things From In and Out Of This World

Anton Giulio Mancino

43-57
- PDF (Spanish)
- HTML (Spanish)
Philip K. Dick Under Spielberg’s Look: Minority Report, One Idea, Two Narrations

Tania Padilla Aguilera

59-81
- PDF (Spanish)
- HTML (Spanish)
Alterations From the Anti-World. The Fly by George Langelaan and David Cronenberg

Antonio Míguez Santa Cruz

83-94
- PDF (Spanish)
- HTML (Spanish)
Remake Bodies, Build Identities. La piel que habito (Pedro Almodóvar, 2011) and Tarántula (Thierry Jonquet, 1984)

Carmen Peña Ardid

95-117
- PDF (Spanish)
- HTML (Spanish)

Nikos Kazantzakis: transpositions from paper to the big screen

The Adaptation of Letter to Greco in Smaragdis’ Kazantzakis

Helena Gonzalez Vaquerizo

123-140
- PDF (Spanish)
- HTML (Spanish)
From From Passion to Revolution. Kazantzakis reinterpreted by Dassin

Amor López Jimeno

141-160
- PDF (Spanish)
- HTML (Spanish)
Zorba the Greek or when Nietzsche danced the Syrtaki

Alejandro Valverde García

161-174
- PDF (Spanish)
- HTML (Spanish)
Kazantzakis and Scorsese, Two Creators Against Controversy: The Last Temptation (of Christ)

Miguel Dávila Vargas-Machuca

175-209
- PDF (Spanish)
- HTML (Spanish)

Miscellaneous

Tula without censorship: a survey of the «other version» of Miguel Picazo’s classic

Gemma Suñé Minguella

211-239
- PDF (Spanish)
- HTML (Spanish)
Àngel Guimerà in Japanese Film: Cross-Cultural Intertextuality in Kenji Mizoguchi’s Adaptation of the play Terra Baixa

Alex Pinar

241-252
- PDF (Spanish)
- HTML (Spanish)
The transposition of literature and Argentine theater from the 19th century to cinema of the 20th century: El último centauro o la epopeya de Juan Moreira of Enrique Queirolo

Lía Sabrina Noguera

253-269
- PDF (Spanish)
- HTML (Spanish)
Re-writings in Soldiers of Salamis or the paths of memory: displacements of literature in cinema and graphic novel

David García Reyes

271-291
- PDF (Spanish)
- HTML (Spanish)
A fantastic macabre fable. Macario (Roberto Gavaldón, 1960) from "The Third Guest" (1950) by Bruno Traven

Juan Agustín Mancebo Roca

293-313
- PDF (Spanish)
- HTML (Spanish)
Zama and the fragmented identity: a transposition interpretation

Lucía González Makowski

315-324
- PDF (Spanish)
- HTML (Spanish)
Brian Garfield: violence as the only solution

Enric Mas Aixalà

325-335
- PDF (Spanish)
- HTML (Spanish)

Creator's Voice

Interview with Guillermo Arriaga

337-340
- PDF (Spanish)
- HTML (Spanish)