Brian Garfield: violence as the only solution
DOI:
https://doi.org/10.24310/Trasvasestlc.vi2.8148Keywords:
Brian Garfield, Death Wish, Michael Winner, Charles Bronson, violence, justice, hardboiled, roman noir, Heart of Darkness, Apocalypse NowAbstract
We analyze the impact of Brian Garfield’s Death Wish (1972) and how his film adaptations turned it into a work of worship. We ask about the substance of the matter and other aspects that have been left out of the few academic works carried out to date, with special attention to the moral and social significance of his legacy.
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