Zama y la identidad fragmentada, lectura de una transposición

Lucía González Makowski

doi:10.24310/Trasvasestlc.vi2.7599

Zama and the fragmented identity: a transposition interpretation

Authors

Lucía González Makowski National University of Avellaneda

DOI:

https://doi.org/10.24310/Trasvasestlc.vi2.7599

Keywords:

Antonio di Benedetto, Lucrecia Martel, Zama, transposition, identity

Abstract

The following essay presents an interpretation about the cinematographic transposition made by filmmaker Lucrecia Martel about Zama (1956), a literary work by Antonio di Benedetto. To this end, we are going to take into account some theoretical questions about the concept of transposition, in order to think about this specific operation.

Downloads

Download data is not yet available.

Author Biography

Lucía González Makowski, National University of Avellaneda

Licenciada en Ciencia Política por la Universidad Nacional de Córdoba (UCC), actualmente está terminando su maestría en Estéticas Contemporáneas Latinoamericanas en la Universidad Nacional de Avellaneda (UNDAV). Se fomró como fotógrafa y desarrolla sus proyectos fotográficos autorales.

References

BENEDETTO, Antonio di (2018), Zama, Buenos Aires, Adriana Hidalgo Editora.

GRÜNER, Eduardo (2005 [1969]), «Foucault: una política de la interpretación», Topos y tropos, 3, págs. 1-9 [En línea: http://www.toposytropos.com.ar/N3/pdf/gruner.pdf. Fecha de consulta: 10/03/2020].

MARTEL, Lucrecia (2017a), «El cine como arte de la dispersión, o un montón de pequeños detalles» [En línea: http://www.revistainvisibles.com/entrevista-con-lucrecia-martel.html. Fecha de consulta: 20/04/2020].

MARTEL, Lucrecia (2017b), «No puedo avalar con mi película las fantasías violatorias» [En línea: https://www.lanacion.com.ar/lifestyle/lucrecia-martel-no-puedo-avalar-con-mi-pelicula-las-fantasias-violatorias-nid2066908. Fecha de consulta 20/04/2020].

MONGES NICOLAU, Graciela (2017), «Prefacio», en P. Ricoeur, Teoría de la interpretación. Discurso y excedente de sentido, México, Siglo XXI.

RICOEUR, Paul (2017), Teoría de la interpretación. Discurso y excedente de sentido, México, Siglo XXI.

Downloads

Published

2020-10-14

Dimensions

PlumX

Issue

No. 2 (2020)

Section

Miscellaneous

License

All authors published in this journal accept the following copyright terms:

a. Authors retain their authors´ rights (copyright) and grant First Publication Rights to the journal, which whill be published under a the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>

b. Authors may separately establish additional agreements for the non-exclusive distribution of the version of the work published in the journal (e.g. including it in an institutional repository, or publishing it in a book) with an acknowledgement of its initial publication in this journal.

c. Authors are allowed and encouraged to disseminate their work electronically (e.g. in institutional repositories or on their own website) as this can lead to productive exchanges, as well as earlier and more extensive citation of published work.

The author is responsible for obtaining permission from the copyright holder when using copyrighted materials.

This electronic journal is published by University of Málaga (UmaEditorial), thus it is necessary to cite the origin of any partial or total reproduction.

How to Cite

“Zama and the Fragmented Identity: a Transposition Interpretation”. Trasvases Entre La Literatura Y El Cine, no. 2, Oct. 2020, pp. 315-24, https://doi.org/10.24310/Trasvasestlc.vi2.7599.