Las coincidencias perversas en la traducción audiovisual
DOI:
https://doi.org/10.24310/TRANS.2002.v0i6.2937Abstract
La concurrencia de los canales visual y acústico en la traducción audiovisual genera toda una serie de incongruencias en las versiones dobladas que dificultan la recepción en la cultura-meta. Este artículo lleva a cabo una taxonomía de estas incongruencias o coincidencias perversas y analiza un corpus de ejemplos extraídos del cine y de la televisión, aplicando un enfoque discursivo que permita generar propuestas alternativas a las versiones dobladas existentes.
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