Mario Vargas Llosa visto por su traductor al francés
DOI:
https://doi.org/10.24310/TRANS.1996.v0i1.2010Abstract
Conferencia impartida en 1994 en la Universidad de Málaga, este texto presenta algunos puntos metodológicos acerca de la traducción literaria, antes de enfocar el estudio en la traducción francesa de la obra del escritor peruano Mario Vargas Llosa. Tratando del calco, de la adaptación y de varias figuras estilísticas tales como la elipsis, la contracción, el asíndeton, la aposición, el diálogo , la parodia y el juego de palabras, este estudio quiere ilustrar, rechazando la pura literalidad, el alcance literario, o sea la literaridad, de la traducción.
Downloads
References
Downloads
Published
Dimensions
Issue
Section
License
All contents published in TRANS. Revista de Traductología are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>
Users can copy, use, redistribute, share and exhibit publicly as long as:
- The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
- It is not used for comercial purposes.
- The existence of the license and its especifications are mentioned.
- ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, TRANS. Revista de Traductología recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access.
The property rights are referred to the benefits that are gained by the use or the dissemination of works. TRANS. Revista de Traductología is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.
Authors are responsable for obtaining the necessary permission to use copyrighted images.
How to Cite
21.png)
