Music and pain through Nietzsche and Adorno: guidelines for a philosophical semiotics of music
DOI:
https://doi.org/10.24310/EstudiosNIETen.vi22.15323Keywords:
affects, signs, stereotypes, communication, aesthetic-musical nominalismAbstract
In Nietzsche's mature work reflections, marked by the elaboration of a semiotic conception of music, pain plays a central role in music. In order to extract its full potential, it is very fruitful to confront it with Theodor W. Adorno's philosophy of music and his reading of Nietzschean texts. All this will be aimed at the main objective of this study: to extract the guidelines of a 'philosophical semiotics of music', as a proposal for the present.
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