Voluntad de crear. Nietzsche o el arte contra la estética
DOI:
https://doi.org/10.24310/Contrastescontrastes.v0i0.1616Keywords:
ESTÉTICA, ESTETICISMO, POIESIS, MODERNIDADAbstract
RESUMEN
En el siglo XX ha sido el de constitución del mito Nietzsche. Entre los diversos factores que han intervenido en este proceso, destaca la caracterización de su filosofía según los modos del esteticismo del fin-del-siglo. Este trabajo analiza la dudosa pertinencia de esta adscripción partiendo de la observación de que lo que prima en la obra del alemán no es en primera instancia una filosofía estética sino más bien una teoría de la creación, una ética de la poiesis. Con este fin, se ensaya la ubicación de Nietzsche en el trayecto de la modernidad estética y se atiende a sus posiciones valorándolas en el marco general de una crítica de la cultura.
PALABRAS CLAVE
ESTÉTICA-ESTETICISMO-POIESIS-MODERNIDAD
ABSTRACT
The 20th century has created the myth of Nietzsche. Among the different factors intervening in this process, we can underline the characterization of his philosophy along the modes os fin-de-siècle aestheticism. This paper examines the doubtful atribution of this characterization. It argues that Nietzsche´s work should be defined in terms of a theory of creation, an ethics of poiesis, instead of a philosophy of aesthetics. Accordingly, I sitúate Nietzsche in the trajectory of aesthetic modernity and assess his work within a general critique of culture.
KEYWORDS
AESTHETICS-AESTHETICISM-POIESIS-MODERNITY
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