Hugo Munsterberg’s kantianismin the origins of the philosophy of film
DOI:
https://doi.org/10.24310/Contrastescontrastes.v21i2.2345Keywords:
Philosophy of Film, Theory of Film, Munsterberg, Kantianism, Aesthesis, CognitivismAbstract
This paper aims to explain the Kantian background of Hugo Munsterberg’s philosophy of film. Our author, who was a renowned experimental psychologist and professor at Harvard, in 1916 produced a work that is considered the first systematic manifestation of film theory: The photoplay: a psychological study. We will focus on this book but also we’ll relate it to other Munsterberg’s texts in which his aesthetic theory appears. On the other hand, we will try to offer a theoretical and intellectual context in order to contextualize all his motivations and themes.Downloads
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