Una teoría moral del arte. Moralismo moderado, epistémico y sistémico
DOI:
https://doi.org/10.24310/Contrastescontrastes.v0i0.1854Keywords:
ESTÉTICA, TEORÍA DEL ARTE, MORALIDAD, SISTEMAAbstract
RESUMEN
En el presente artículo examino las diferentes posiciones teóricas en torno al complejo asunto de la relación entre arte y moral, y defiendo la tesis anunciada por Noël Carroll del moralismo moderado. No obstante, considero que ésta aproximación debe ser ampliada y explicitada desde una perspectiva epistémica y otra sistématica.
PALABRAS CLAVE
ESTÉTICA, TEORÍA DEL ARTE, MORALIDAD, SISTEMA
ABSTRACT
In this paper I analyze the different theoretical approaches to the complex question of the relation between art and moral. I defend Noël Carroll´s thesis of the moderate moralism. Notwithstanding, I considerer that approache should be competed and explained from an epistemic and a systemic point of view.
KEYWORDS
AESTHETICS, THEORY OF ART, SYSTEM
Downloads
References
Downloads
Dimensions
Issue
Section
License
This journal provides immediate free access to its content under the principle of making research freely available to the public. All content published in Contrastes. Revista Internacional de Filosofía, are subject to the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 license whose full text can be found at <http://creativecommons.org/licenses/by-nc-sa/4.0>
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.
Authors whose contributions are accepted for publication in this journal will retain the non-exclusive right to use their contributions for academic, research and educational purposes, including self-archiving or repository in open access repositories of any kind.
The electronic edition of this magazine is edited by the Editorial Service of the University of Malaga (Uma Editorial), being necessary to cite the origin in any partial or total reproduction.




5.png)