Contribución a una filosofia de la imagen en el sistema del saber hegeliano
DOI:
https://doi.org/10.24310/Contrastescontrastes.v19i3.1133Abstract
RESUMEN
El propósito de este ensayo es discutir sobre la posibilidad de desarroyo de una ontología de la imagen a partir de las premisas teóricas del Sistema del Saber hegeliano, mostrando también su relevancia en el debate contemporáneo de los visual studies o de la Bildkritik.
PALABRAS CLAVES
HEGEL, IMAGEN, ROMANTICISMO, ARTE ABSTRACTO, ESPIRITU SUBJETIVO, ICONOCLASTIA ENDOGENA
ABSTRACT
The aim of this essay is to argument the possibility to develop an Ontology of Image, taking as a starting-point the theoretical premises of the Hegelian System of Knowledge and by doing so to show its actuality in the contemporary debate of visual studies or of Bildkritik.
KEY WORDS
HEGEL, IMAGE, ROMANTICISM, ABSTRACT ART,
SUBJECTIVE SPIRIT, ENDOGENUS ICONOCLASM
Downloads
References
Downloads
Published
Dimensions
Citations
Issue
Section
License
This journal provides immediate free access to its content under the principle of making research freely available to the public. All content published in Contrastes. Revista Internacional de Filosofía, are subject to the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 license whose full text can be found at <http://creativecommons.org/licenses/by-nc-sa/4.0>
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.
Authors whose contributions are accepted for publication in this journal will retain the non-exclusive right to use their contributions for academic, research and educational purposes, including self-archiving or repository in open access repositories of any kind.
The electronic edition of this magazine is edited by the Editorial Service of the University of Malaga (Uma Editorial), being necessary to cite the origin in any partial or total reproduction.
5.png)
