ISL (2020). Reading habits and information consumption… ISL, 13, 72-89.
Young people and digital reading
Youth reading and writing practices have been the subject of research in recent years. From
the virtual communication spaces in which they immerse themselves to share their reading
experience to the analysis of the web ecosystem with their blogs, forums, social networks or
audiovisual platforms such as YouTube (Tabernero, 2013; Lluch, 2014, 2017; Merga, 2015;
Rovira, 2017; Álvarez, Heredia & Romero, 2019). But they have also been analyzed in the light
of their impact on the teaching-learning processes, since the influence of learning and knowledge
technologies (LKT) has deeply affected the teaching context both from emission and reception
(Coiro, 2007; Tseng, 2010; Alejaldre & Álvarez, 2018; Heredia & Romero, 2019).
Nowadays, adolescents, baptized as ‘digital natives’, belong to the so-called Generation Z,
a group characterized, among many other elements, by their profound preference for the visual
and the iconic, a fact that results in their love for digital media, where they know how to function
without problems and where the word is often accompanied by the image and many times replaced
by it. To this multimedia bombardment, we must add the continuous use of PR, which leads them
to be in continuous interaction (fast and immediate) with other cybernauts (Alvarez, Heredia &
Romero, 2019) to either receive information or provide it.
In digital youth reading, essentially in that which is carried out on the Internet, it is
necessary to differentiate between occupation and leisure, since the readings undertaken are quite
different due to their object, purpose or cause. An academic reading practice, surely, will be similar
to the analogical activity, because what is demanded is something that does not require an
exacerbated use of hypermediality to gain in depth, quite the contrary (at least in these ages and
with few exceptions). An unlettered reading will be guided by the drive (in a more or less lacanian
sense) of the reader and his or her circumstances.
The vernacular readings (Cassany, 2012), those carried out behind the school’s back and
that arise from the very interaction with the media, are constituted following the principles of all
digital reading. Thus, “when contemporary students leave school every day, they are introduced
to a learning scenario organized in a radically different way” (Pérez, 2012, p. 47-48). The
parameter under which this reading practice is based is characterized by its brevity and
fragmentation, following the guidelines in these “new ways of reading”, pointed out by Roger
Chartier: “discontinuous, fragmented, segmented” (Peña, 2010, p. 3). Something inherent to the
character of adolescent readers, whose profile is established as individuals “multitasking, with
specific neuronal structures [...], because their minds have developed in a parallel way to
hypertext, that is, in a non-linear way and based on an audiovisual culture” (Martínez y González,
2010, p. 7). This digital youthful assumption leads them to jump from one topic to another without
going too deep into any of them. Unless, consciously, it awakens a certain interest. What we have
called ‘culture of the headline’, with all that this journalistic metaphor entails. They configure
thought in informative, simple, striking, direct neons. A single message is optimal for developing
an opinion, acquiring a point of view or arousing a like, a retuit or getting a follower or a hater.
Informative minimalism leads them not to go beyond the first glance, not to squeeze the digital
rhizomatic warp to the maximum.
We are not only talking about the immediate pleasure derived from direct and quick
knowledge, but also about its transmission (retuits, comments, shared Facebook posts, etc.), that
emotional component of the interaction in the networks cannot be ignored. It is one of the most
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