Vol. 23 (2021): Spanish Cinema Between Millennia (1990-2010)

Presentation

Spanish cinema between millennia. Study perspectives

Virginia Guarinos , Jean-Paul Aubert

7-21
- PDF (Spanish)
- HTML (Spanish)

ARTICLES

The 2008 economic crisis through Spanish cinema

Víctor Álvarez-Rodríguez

23-45
- PDF (Spanish)
- HTML (Spanish)
Inherited narratives and aesthetics in Spanish non-fiction films: cinematographic reminiscences of the filmography of Joaquim Jordà and José Luis Guerin

Sergio Cobo-Durán, Irene Liberia Vayá

47-73
- PDF (Spanish)
- HTML (Spanish)
Otherness and marginalisation: characters from the other side in Spanish cinema (1999-2012)

Inmaculada Gordillo, Sergio Toledo , María Toscano-Alonso

75-96
- PDF (Spanish)
- HTML (Spanish)
From thriller to prison: criminals women in the cinematographic work of Isabel Coixet and Belén Macías

Laura Pacheco Jiménez, Valeriano Durán Manso

97-120
- PDF (Spanish)
- HTML (Spanish)
The process of maturity of the filmic character. The case of Lucia in Silencio roto, by Montxo Armendáriz

Ander Goikoetxea Pérez

121-136
- PDF (Spanish)
- HTML (Spanish)
Rethinking cinema from its margins. Cinephilic moments and relocation in the work of Víctor Erice in the 21st centur

Fernando Ramos

137-157
- PDF (Spanish)
- HTML (Spanish)
Substrates of hierophanies, archetypes and rituals in the films of Gutiérrez Aragón

José Luis Sánchez Noriega

159-177
- PDF (Spanish)
- HTML (Spanish)
Analysis of In the city (2003) by Cesc Gay as an author model in contemporary Spanish cinema.

Ernesto Taborda-Hernandez, Francisco Javier Miranda García

179-200
- HTML (Spanish)
- PDF (Spanish)
Spanish Filmmakers of the Change of Century in the Orbit of Science-Fiction Genre

Débora Madrid Brito

201-226
- HTML (Spanish)
- PDF (Spanish)
Haunted Houses, Social Spaces and Surveilled Homes: Scary and Sinister Places in Spanish Cinema (1999-2012)

Miguel Ángel Pérez-Gómez, Irene Raya Bravo, Francisco Javier López Rodríguez

227-249
- PDF (Spanish)
- HTML (Spanish)
Jess Franco’s digital films (1999-2012): recycling and posmodernity

Alejandro Mendíbil Blanco

251-270
- HTML (Spanish)
- PDF (Spanish)

Miscellany

The evolution of the postcard and Modern Wars: Two paths encountered (1869-1945)

José Manuel López

271-297
- HTML (Spanish)
- PDF (Spanish)
Topography of the Emotions, Intertextuality, and Iconographic programs in Julieta (Pedro Almodóvar, 2016)

Pedro Poyato

299-323
- HTML (Spanish)
- PDF (Spanish)
La gestión del secreto en la filmografía de Alan J. Pakula.

Fermín Galindo-Arranz, David Fuentefría Rodríguez

325-347
- HTML (Spanish)
- PDF (Spanish)
The tragic view of life: a key intersection between the philosophy of Friedrich Nietzsche and the filmography of Woody Allen The tragic view of life: a key intersection between the philosophy of Friedrich Nietzsche and the filmography of Woody Allen

Daniel Acle Vicente

349-372
- HTML (Spanish)
- PDF (Spanish)
Languidness of August (1984) Cesare Pavese’s The Beach (1945) in Jorge Silva Melo

Caterina Cucinotta, Ana Catarina Pereira, Ana Isabel Soares

373-405
- HTML (Spanish)
- PDF (Spanish)

Presentation

Spanish cinema between millennia. Study perspectives

ARTICLES

The 2008 economic crisis through Spanish cinema

Inherited narratives and aesthetics in Spanish non-fiction films: cinematographic reminiscences of the filmography of Joaquim Jordà and José Luis Guerin

Otherness and marginalisation: characters from the other side in Spanish cinema (1999-2012)

From thriller to prison: criminals women in the cinematographic work of Isabel Coixet and Belén Macías

The process of maturity of the filmic character. The case of Lucia in Silencio roto, by Montxo Armendáriz

Rethinking cinema from its margins. Cinephilic moments and relocation in the work of Víctor Erice in the 21st centur

Substrates of hierophanies, archetypes and rituals in the films of Gutiérrez Aragón

Analysis of In the city (2003) by Cesc Gay as an author model in contemporary Spanish cinema.

Spanish Filmmakers of the Change of Century in the Orbit of Science-Fiction Genre

Haunted Houses, Social Spaces and Surveilled Homes: Scary and Sinister Places in Spanish Cinema (1999-2012)

Jess Franco’s digital films (1999-2012): recycling and posmodernity

Miscellany

The evolution of the postcard and Modern Wars: Two paths encountered (1869-1945)

Topography of the Emotions, Intertextuality, and Iconographic programs in Julieta (Pedro Almodóvar, 2016)

La gestión del secreto en la filmografía de Alan J. Pakula.

The tragic view of life: a key intersection between the philosophy of Friedrich Nietzsche and the filmography of Woody Allen The tragic view of life: a key intersection between the philosophy of Friedrich Nietzsche and the filmography of Woody Allen

Languidness of August (1984) Cesare Pavese’s The Beach (1945) in Jorge Silva Melo

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