La mirada múltiple. Imagen y tecnología en el arte moderno. Reseña de Alberto García Alberti

Arturo Colorado Castellary

doi:10.24310/Fotocinema.2020.v0i20.7646

La mirada múltiple. Imagen y tecnología en el arte moderno. Reseña de Alberto García Alberti

Authors

Arturo Colorado Castellary Complutense University of Madrid

DOI:

https://doi.org/10.24310/Fotocinema.2020.v0i20.7646

Keywords:

tecnología de la imagen, arte digital

Abstract

Reseña del libro de Arturo Colorado Castellary (2019). La mirada múltiple. Imagen y tecnología en el arte moderno. Madrid: Ediciones Complutense.

Downloads

Download data is not yet available.

Author Biography

Arturo Colorado Castellary, Complutense University of Madrid

Alberto García Alberti es personal de Apoyo a la Investigación en la Facultad de Ciencias de la Información, Dpto. CAVP II. Universidad Complutense de Madrid. Miembro del Grupo de Investigación Museum I+D+C Laboratorio de Cultura Digital y Museografía Hipermedia de la Facultad de Ciencias de la Información, Universidad Complutense de Madrid.

References

Colorado Castellary, A. (2019). La mirada múltiple. Imagen y tecnología en el arte moderno. Madrid: Ediciones Complutense.

Downloads

Published

2020-01-30

Dimensions

PlumX

Issue

No. 20 (2020)

Section

Diálogos y reseñas

License

All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>

Users can copy, use, redistribute, share and exhibit publicly as long as:

The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
It is not used for comercial purposes.
The existence of the license and its especifications are mentioned.

There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.

Authors are responsable for obtaining the necessary permission to use copyrighted images.

How to Cite

La mirada múltiple. Imagen y tecnología en el arte moderno. Reseña de Alberto García Alberti. (2020). Fotocinema. Revista científica De Cine Y fotografía, 20, 496-501. https://doi.org/10.24310/Fotocinema.2020.v0i20.7646