La parte de los ángeles: ascenso y forja del héroe como relato social
DOI:
https://doi.org/10.24310/Fotocinema.2014.v0i8.5950Abstract
La parte de los ángeles (Angels´Share, 2012) es uno de los últimos trabajos dirigidos por Ken Loach y en el que el cineasta vuelve a incidir en una de las constantes que vertebran su obra: la hibridación entre un cine de denuncia social, que pone el acento en la situación de las clases más desfavorecidas y/o de aquellos individuos excluidos de un sistema de bienestar en crisis, con estrategias narrativas propias del cine popular de género. En esta ocasión, Loach plantea un relato que, bajo el realismo de su apariencia formal, reproduce los arquetipos y la estructura del viaje del héroe campbelliano, en un guión que hibrida una trama de ascenso y redención con la búsqueda de un tesoro simbólico.
Palabras clave:
Análisis narrativo; Ken Loach; crisis del estado de bienestar; viaje del héroe; Campbell; realismo social; hibridación genérica
Keywords:
Narrative analysis; Ken Loach; crisis of the welfare State; hero´s journey, Campbell, social realism, hibridization off genres
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