Confrontación. Más allá del duelo leoniano
DOI:
https://doi.org/10.24310/Fotocinema.2013.v0i7.5928Abstract
ResumenLa aplicación de nuevos modelos narrativos en el marco audiovisual compromete las estructuras establecidas con anterioridad. La gramática cinematográfica, como cualquier arte, evoluciona y se transforma superando viejos dogmas o recuperando anteriores propuestas. La presente investigación se centra en la deriva narrativa de los tratamientos audiovisuales en las confrontaciones, focalizando el estudio en las características del duelo leoniano como base de una nueva narrativa o discurso de confrontación que sigue vigente en la actualidad.
Abstract
The application of new narrative models in the audiovisual framework jeopardizes the previously established structures. Cinematographic grammar, as in any other artistic discipline, evolves and alters itself by overcoming old dogmas or preceding proposals. The current research explores the narrative drift of audiovisual treatments in confrontations by focusing on the study of the features of the leonian duel as a basis for a new narrative of confrontation that is still valid nowadays.
Palabras clave: Duelo; Sergio Leone; narrativa; cine; confrontación.
Key words: Duel; Sergio Leone, narrative; cinema; confrontation
Downloads
References
Downloads
Published
Dimensions
Issue
Section
License
All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>
Users can copy, use, redistribute, share and exhibit publicly as long as:
- The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
- It is not used for comercial purposes.
- The existence of the license and its especifications are mentioned.
There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.
Authors are responsable for obtaining the necessary permission to use copyrighted images.
How to Cite
13.png)
