La fotografía fija en Los abrazos rotos: categorías y uso en la construcción de la marca Almodóvar

Authors

DOI:

https://doi.org/10.24310/Fotocinema.2012.v0i5.5899

Abstract

En este artículo se estudia la fotografía fija de Los abrazos rotos de Pedro Almodóvar con el fin de poner de manifiesto los motivos iconográficos que aparecen en dichas imágenes y que irán conformando una serie de categorías o modelos. Estas fotografías participan en la construcción de la marca que representa el universo Almodóvar, más allá de los recursos ligados a este filme concreto.

Palabras clave: Almodóvar; los abrazos rotos; fotografía; cine; fotofija.

Key words: Almodovar; broken embraces; photography; still photography; cinema.


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Author Biography

  • Laura Virué, University of Malaga
    University of Malaga

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Published

2012-09-30

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Issue

No. 5 (2012)

Section

ARTICLES

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How to Cite

Virué, L. (2012). La fotografía fija en Los abrazos rotos: categorías y uso en la construcción de la marca Almodóvar. Fotocinema. Revista científica De Cine Y fotografía, 5. https://doi.org/10.24310/Fotocinema.2012.v0i5.5899