Fotografía en España (1839-2015) historia, tendencias, estéticas. Reseña de Bernardo Riego Amézaga

Carmelo Vega

doi:10.24310/Fotocinema.2018.v0i16.4102

Fotografía en España (1839-2015) historia, tendencias, estéticas. Reseña de Bernardo Riego Amézaga

Authors

Carmelo Vega University of Cantabria

DOI:

https://doi.org/10.24310/Fotocinema.2018.v0i16.4102

Keywords:

Fotografía, Carmelo Vega, Historia fotografía España

Abstract

Reseña del libro de Carmelo Vega Fotografía en España (1839-2015) historia, tendencias, estéticas. Madrid: Manuales de Arte Cátedra. Reseña de Bernardo Riego Amézaga

Downloads

Download data is not yet available.

Author Biography

Carmelo Vega, University of Cantabria

Director del Departamento de Educación Profesor de Tecnología Educativa y Comunicación Audiovisual Facultad de Educación y Facultad Filosofía y Letras Avda. de los Castros, s/n. 39005 Santander UNIVERSIDAD DE CANTABRIA

References

Carmelo Vega (2017). Fotografía en España (1839-2015) historia, tendencias, estéticas. Madrid: Manuales de Arte Cátedra.

Downloads

Published

2018-01-28

Dimensions

PlumX

Issue

No. 16 (2018)

Section

Diálogos y reseñas

License

All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>

Users can copy, use, redistribute, share and exhibit publicly as long as:

The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
It is not used for comercial purposes.
The existence of the license and its especifications are mentioned.

There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.

Authors are responsable for obtaining the necessary permission to use copyrighted images.

How to Cite

Fotografía en España (1839-2015) historia, tendencias, estéticas. Reseña de Bernardo Riego Amézaga. (2018). Fotocinema. Revista científica De Cine Y fotografía, 16, 395-400. https://doi.org/10.24310/Fotocinema.2018.v0i16.4102