The 'Black Cloud' of the Tarterêts: Spatiality and Historicity in PNL's Music Videos

Authors

  • Mario Adobati Université Paul Valéry Montpelliere 3
    France

Keywords:

PNL, Rap, Regime of Historicity, Representation of Spaces

Abstract

Since 2015, the two brothers that constitute the rap duo PNL have had a strong influence on a generation of young rappers from their neighbourhood, les Tarterêts (Corbeil-Essonnes, 91, France). PNL and their team have been building, in their lyrics, instrumentals and music videos, a poetic of hopelessness, of the sour taste of their history, the history of the vanquished as coined Kundera. The breaking point that these works have brought forward within the French rap scene can be understood as an invitation to find out, within the very filmic forms of some audiovisual productions from rap cultures, a specific experience of space, time and history. In other words, to trace back the modalities of the “audio-logo-visual” (Chion) presence of a regime of historicity, based on a specific spatial practice.

Downloads

Download data is not yet available.

Author Biography

  • Mario Adobati, Université Paul Valéry Montpelliere 3
    Université Paul Valéry Montpelliere 3

References

Downloads

Published

2022-01-24

Dimensions

PlumX

Citations

Issue

No. 24 (2022): Images and sounds of urban geopolitics

Section

ARTICLES

License

All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>

Users can copy, use, redistribute, share and exhibit publicly as long as:

  • The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
  • It is not used for comercial purposes.
  • The existence of the license and its especifications are mentioned.

There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.

Authors are responsable for obtaining the necessary permission to use copyrighted images.

How to Cite

Adobati, M. (2022). The ’Black Cloud’ of the Tarterêts: Spatiality and Historicity in PNL’s Music Videos. Fotocinema. Revista científica De Cine Y fotografía, 24, 291-311. https://revistas.uma.es/index.php/fotocinema/article/view/14163