Long live newsreels. The dissemination of actuality films in online archives
DOI:
https://doi.org/10.24310/Fotocinema.2021.vi22.11737Keywords:
Newsreels, online archives, audiovisual memory, digital media, infotainment, media literacyAbstract
For some decades, the recognition of the value of actuality films and its discussion as a record of the past was limited to the archival, historical and audiovisual production fields. Arousing interest mainly for their memorial or curious nature, thanks to digitalisation, these films reach new audiences through their dissemination on websites and social networks, of different natures and for various purposes. Taking as our starting point an interest in discussing these new online contexts, we propose a reflection on the forms of presentation and assessment of these images in public and commercial archives. Based on a descriptive sheet and a series of indicators on access to information, interaction, the use of social networks and the contextualisation of contents, we analyse the websites of Gaumont Pathé Archives, British Pathé, Archivo Histórico NO-DO and Archivio Luce. We assume that the extinct newsreels, as a precursor genre of audiovisual infotainment, survive in the light of new readings, strategies and uses, with implications for memory and media literacy.
Downloads
References
Downloads
Published
Dimensions
Issue
Section
License
All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>
Users can copy, use, redistribute, share and exhibit publicly as long as:
- The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
- It is not used for comercial purposes.
- The existence of the license and its especifications are mentioned.
There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.
Authors are responsable for obtaining the necessary permission to use copyrighted images.







13.png)


