Contenido principal del artículo
This paper aims to reflect on the relationship between music and cinema through the analysis of the film trilogy Three Colors (Trois Couleurs) by the filmmaker Krzysztof Kieslowski and the composer Zbigniew Preisner. After analysis we conclude that, in cases like the present one, fusion and understanding between the two fields of art, preserving their autonomy, reaches heights certainly relevant and captivating. In any case, we note that when this genre acquired entity per se, can produce masterpieces.
Palabras clave: Música en el cine, bandas sonoras, compositores cinematográficos, Zbigniew Preisner, Krzysztof Kieslowski, la Trilogía de los Tres Colores.
Keywords: Film music, soundtracks, film composers, Zbigniew Preisner, Krzysztof Kieslowski, the Three Colors Trilogy.