La soledad enamorada
DOI:
https://doi.org/10.24310/EstudiosNIETen.vi2.8807Abstract
Si ha habido un hombre de muchas y contradictorias personalidades, desgarrado por la desbordante riqueza, por la punzante contradicción, es, sin duda, Nietzsche, tan amado y repudiado, tan olvidado y presente. Nietzsche representa hoy, al cabo de su muerte, el calvario de la soledad apurada hasta lo último, sorbida con estoica crueldad, llevada hasta más allá de todo lindero visible. Este artículo publicado por primera vez en la revista Universidad Michoacana explora la soledad intelectual en la figura de Nietzsche.
Downloads
References
Nietzsche, F., Obras Completas, I-IV (OC ). Director ed. Diego Sánchez Meca. Madrid: Tecnos, 2011-2016.
Zamrano, M., La confesión: Género literario , Mondadori, Madrid, 1988
Downloads
Published
Dimensions
Citations
Issue
Section
License
As of issue 21 (2021) this journal is published only in open access (diamond route).
From that number 21, like the previous numbers published in NIETZSCHE STUDIES, they are subject to the Creative Commons Acknowledgment-NoComercia-ShareIgual 4.0 license, the full text of which can be consulted at <http://creativecommons.org/licenses/by-nc-sa/4.0 >
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright generates two different rights: moral rights and patrimonial rights that EJFB recognizes and respects. Moral rights are those relating to the recognition of the authorship. They are rights of a personal nature that are perpetual, inalienable, unseizable and imprescriptible as consequence of the indivisible union of the author and his/her work.
Patrimonial rights are those that can be derived from the reproduction, distribution, adaptation or communication of the work, among others.
11.png)
