Charles Baudelaire´s Book to Come: “Condorcet and Maquiavelo” Commentary on two letters to Mrs. Auspick (November 15, 1859 and December 8, 1859)
DOI:
https://doi.org/10.24310/EstudiosNIETen.vi21.13814Keywords:
Machiavelli, Joseph de Maistre, hell, Spleen, democracy, determinism, number, sacrifice, God, Saint AgustineAbstract
Charles Baudelaire stated his primary fondness for philosophy. Catholic thought, however, underlies all his oeuvre. His preference for such a reflexive position is neither religious nor moral but intellectual. Within the theological framework of Saint Augustine, the poet highlights the voluptuousness of evil while feeling governed by the action of Satan. Nothing is more Catholic than the devil, he pointed out. From this perspective, his rejection of progressivism is evident. Democrats want to suppress hell. But the "Original Sin" is renewed every morning and condemns us to sacrifice and pain. Joseph de Maistre is one of his master thinkers. He was a historical determinist, a vigorous monarchist and a committed Catholic. However, through his letters to Mme. Auspick, Charles Baudelaire's call for an endless reflection on Machiavelli, opened up an enigmatic mystery.
Downloads
References
Downloads
Published
Dimensions
Issue
Section
License
As of issue 21 (2021) this journal is published only in open access (diamond route).
From that number 21, like the previous numbers published in NIETZSCHE STUDIES, they are subject to the Creative Commons Acknowledgment-NoComercia-ShareIgual 4.0 license, the full text of which can be consulted at <http://creativecommons.org/licenses/by-nc-sa/4.0 >
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright generates two different rights: moral rights and patrimonial rights that EJFB recognizes and respects. Moral rights are those relating to the recognition of the authorship. They are rights of a personal nature that are perpetual, inalienable, unseizable and imprescriptible as consequence of the indivisible union of the author and his/her work.
Patrimonial rights are those that can be derived from the reproduction, distribution, adaptation or communication of the work, among others.

11.png)