Goethean textures in Young Nietzsche: notes on Faust and its functions in The Birth of Tragedy
DOI:
https://doi.org/10.24310/EstudiosNIETen.vi17.10841Keywords:
young Nietzsche, Goethe, Faust, cultureAbstract
The hermeneutical reconstruction of Goethe’s influence in Nietzsche’s early works is still one of the most fascinating tasks to be undertaken by the Nietzschean studies. For this aim, we will, firstly, propose three Goethean dimensions of analisis, as scientist, as a thinker of Bildung and Kultur, in order to shape, secondly, the possible functions and meanings of Faust in Nietzsche’s The Birth of Tragedy. For his opera prima deals with a creative appropiation and reelaboration of numerous themes, motifs and common places of the great Goethean play, an intertextual reading of some concrete chapters will strenghten the idea that Faustian poetry reaffirms some central hypothesis of Nietzsche’s early work.
Downloads
References
Bishop, P., y R. H. Stephenson, Friedrich Nietzsche and Weimar Classicism, Nueva York: Camden House, 2005.
Borsche, T. (ed.) Centauren-Geburten. Wissenschaft, Kunst und Philosophie beim jungen Nietzsche, Berlín/Nueva York: Walter de Gruyter, 1994.
Borchmeyer, D., (ed.), «Vom Nutzen und Nachteil der Historie für das Leben». Nietzsche und die Erinnerung der Moderne, Fráncfort d. M.: Suhrkamp, 1996.
Gerhardt, V., Die Funken des freien Geistes. Neuere Aufsätze zu Nietzsches Philosophie der Zukunft, Berlín/Nueva York: Walter de Gruyter, 2011.
Goethe , J. W., y F. Schiller, Der Briefwechsel. Eine Auswahl, R. Safranski (ed.), Fráncfort d. M.: Fischer, 2011.
Goethe, J. W., Sämtliche Werke nach Epochen seines Schaffens, Münchner Ausgabe [MA] vol. 12: Naturwissenschaftliche Hefte. Morphologische Hefte, Múnich/Viena: Hanser, 1989.
Goethe, J. W., Teoría de la naturaleza, edición y traducción de D. Sánchez Meca, Madrid: Tecnos, 22007.
Llinares, J. B., «Nietzsche y la sexualidad», en Estudios sobre la sexualidad en el pensamiento contemporáneo, Pamplona: Navarra Gráfica Ediciones, 2002.
Maatsch, Jonas (ed.), Morphologie und Moderne Goethes «anschauliches Denken» in den Geistes- und Kulturwissenschaften seit 1800, Berlín/Nueva York: Walter de Gruyter,
Matamoro, B (ed.), R. Wagner, Beethoven, seguido de La dirección de orquestra, B. Matamoro (ed.), Madrid: Fórcola, 2016.
Neugebauer-Wölk, M., (ed.), Aufklärung und Esoterik: Rezeption – Integration – Konfrontation, Tubinga: M. Niemeyer, 2009.
Nietzsche, F., Obras Completas, I-IV (OC ). Director ed. Diego Sánchez Meca. Madrid: Tecnos, 2011-2016
Nietzsche, F., Correspondencia I-VI. (CO). Director ed. Luis E. de Santiago Guervós. Madrid : Trotta, 2005- 2012.
Nietzsche, F., Fragmentos Póstumos I-IV (FP). Director ed. Diego Sánchez Meca. Madrid: Tecnos, 2006-2010.
Reibnitz, B. V., Ein Kommentar zu Friedrich Nietzsche ‘Die Geburt der Tragödie aus dem Geiste der Musik’ (Kapitel 1-12), Stuttgart/Weimar: J. B. Metzler, 1992.
Barbera, S., Guarigioni, rinascite e metamorfosi. Studi su Goethe, Schopenhauer e Nietzsche, Florencia: Le Lettere, 2010.
Safranski, R., Goethe. La vida como obra de arte, Barcelona: Tusquets, 2015.
Sánchez Meca, D., El nihilismo. Perspectivas sobre la historia espiritual de Europa, Madrid: Editorial Síntesis, 2004.
Sánchez Meca, D., En torno al superhombre. Nietzsche y la crisis de la modernidad, Barcelona: Anthropos, 1989.
Santiago Guervós, Luis E. de, «Nietzsche y la justificación estética de la existencia. El placer de lo trágico», en Guía
Comares de Nietzsche, J. Conill-Sancho y D. Sánchez Meca (eds.), Granada: Editorial Comares, 2014.
Schmidt, J., Goethes Faust. Erster und Zweiter Teil. Grundlagen – Werk – Wirkung, Múnich: C. H. Beck, 2011.
Downloads
Dimensions
Issue
Section
License
As of issue 21 (2021) this journal is published only in open access (diamond route).
From that number 21, like the previous numbers published in NIETZSCHE STUDIES, they are subject to the Creative Commons Acknowledgment-NoComercia-ShareIgual 4.0 license, the full text of which can be consulted at <http://creativecommons.org/licenses/by-nc-sa/4.0 >
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright generates two different rights: moral rights and patrimonial rights that EJFB recognizes and respects. Moral rights are those relating to the recognition of the authorship. They are rights of a personal nature that are perpetual, inalienable, unseizable and imprescriptible as consequence of the indivisible union of the author and his/her work.
Patrimonial rights are those that can be derived from the reproduction, distribution, adaptation or communication of the work, among others.
How to Cite
11.png)
