Nietzsche and Autonomous Art
DOI:
https://doi.org/10.24310/EstudiosNIETen.vi14.10745Keywords:
aesthetic autonomy, emotion, ambivalence, identificationAbstract
The issue of autonomy or heteronomy of art and aesthetics appears in Nietzsche’s thought in a problematic way, as it will in the Avant-garde. This problematicity islinked with the paradoxes of bourgeois condition and its history. Although Nietzsche’swritings seem to show a constant oscillation between autonomy and heteronomy, thisarticle aims to show that the philosopher of transvaluation resolves the contradiction withan ambivalent consideration of art in which new relationships are established between the dualities of creation-reception, Apollonian-Dionysian and identification-psychic distance.
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