Nietzsche en el teatro
Abstract
Reseña sobre el ballet de Zarathoustra, el canto de la danza representado en el Teatro Real de Madrid, bajo la dirección de Gil Román; la opereta de Alan Brunton Zarathustra Said y El eterno retorno. Nietzsche, Dyonisos, Cristo, escrita y producida por Jorge Manzano.
Downloads
References
Downloads
Published
Dimensions
Citations
Issue
Section
License
As of issue 21 (2021) this journal is published only in open access (diamond route).
From that number 21, like the previous numbers published in NIETZSCHE STUDIES, they are subject to the Creative Commons Acknowledgment-NoComercia-ShareIgual 4.0 license, the full text of which can be consulted at <http://creativecommons.org/licenses/by-nc-sa/4.0 >
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright generates two different rights: moral rights and patrimonial rights that EJFB recognizes and respects. Moral rights are those relating to the recognition of the authorship. They are rights of a personal nature that are perpetual, inalienable, unseizable and imprescriptible as consequence of the indivisible union of the author and his/her work.
Patrimonial rights are those that can be derived from the reproduction, distribution, adaptation or communication of the work, among others.
11.png)
