Nietzsche contra Wagner: ¿Música como simulación?
DOI:
https://doi.org/10.24310/EstudiosNIETen.vi7.10213Keywords:
art, music, aestheticsAbstract
Wagner’s theories on music greatly influenced Nietzsche’s aesthetics. Not only when he was a follower of these theories, in his Wagnerian period, but also in his maturity, when he developed his radical critique of Wagner and of the aesthetic ideal that he represented. For good and for ill, Wagner taught Nietzsche a new conception of music, and of art in general, in which both are ultimately based on «gesture». This paper looks at Nietzsche’s intellectual journey, referring widely to the writings of Wagner, to corroborate this thesis.
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Diego Sánchez Meca, Diego, en: «El adversario interior», Estudios Nietzsche, I (2001), pp. 119-144.
Scheier, Claus-Artur, Ästhetik der Simulation. Formen des Produktionsdenkens im 19. Jahrhundert, Hamburg, 2000.
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